Nothing will stop the musical theatre darlings from devouring this eight-part examination of the grand, extremely complicated love affair and working relationship between choreographer / director Bob Fosse and choreographer / dancer / actor Gwen Verdon, but the rest of the population might find their relentless self-absorption wearing to say the least. As portrayed here, Fosse and Verdon come off as deeply unlikeable and terrible parents; amidst the drug-taking and drinking, the fights, the affairs, the negligence and the endless passive aggression, one scene sums it up: the two of them talking throughout their daughter’s school ballet recital, simultaneously ignoring their child and blithely displaying disregard for the other parents and students. It is Fosse/Verdon’s “wire coathanger” scene, and the whole thing sits just on the tasteful side of Mommy Dearest, but with a lot more craft, if not much more heart.
Michelle Williams is outstanding as Verdon; Sam Rockwell perhaps less so as Fosse. Or perhaps it’s the character; I found (this version of) Fosse so repugnant, perhaps I blame the actor unfairly. Of course, by the end of the series, during an episode depicting Fosse directing his film All That Jazz, we’re watching an actor playing Fosse directing an actor playing an actor playing Fosse, so where reality ends and art begins is pretty much up for grabs.