Now playing around Australia as part of the Alliance Française French Film Festival
Opening in Australian cinemas April 8
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From her very first scene in the very first episode of the French TV series Call My Agent, it was clear that Laure Calamy was a big comedic talent, destined for more than her supporting role in that very popular show. Bingo. She just won the César Award for Best Actress for her lead role in Caroline Vignal’s Antoinette in the Cévennes, a very slight, very light, very charming French countryside comedy whose success rests entirely on her shoulders. She’s not only in every scene, about half of them are with a donkey. She makes all of them work. Like Meg Ryan, Julia Roberts and Audrey Tatou, Calamy is a natural big-screen comedy star; like them, she has big dramatic chops in support.
The film itself is sunny and delightful (like Calamy). Antoinette is a Parisian teacher having an affair with a married man; when he goes on a trip with his family to the Cévennes, she follows, ill-advisedly, and ends up hiking with a donkey. Self-realisation follows.
Calamy nails every comedic beat but there are multiple moments of pathos and anguish which she also handles with seemingly effortless aplomb. She is a major screen presence. It is to the Césars’ credit that they’ve recognised this kind of performance, in this kind of film, for their Best Actress Award. Light comedy normally doesn’t get that kind of gong, unfairly. And talk about ‘backwards and in heels’: Calamy’s primary co-star is a donkey.