THE OFFER (Paramount +)
When I heard about The Offer I couldn’t believe it: had someone made a TV show just for me? Of course, I’m not the only one obsessed with The Godfather, and not the only one who’s read many, many books and articles about its making. But the idea that someone would produce an entire TV show about the production of your favourite movie… well, wow.
Trouble is, the script feels directly lifted from those books and articles, giving rise to that dreaded ‘illustrated wikipedia entry’ feeling. But it’s fun to see spiritual heroes like Francis Ford Coppola and Robert Evans come to life (Dan Fogler and Matthew Goode, respectively) and the story itself, for those who haven’t obsessively read about it, is a good one. The show errs on spoon-feeding the mechanics of movie-making, but thats its nature and its flaw: it tries to serve the novice and the nerd.
THE INNOCENTS (Cinemas)
* * *
Likewise, The Innocents, a Norwegian supernatural creeper about kids gradually becoming aware of their telekinetic powers, may scare the bejesus out of you, and I may have been less affected purely by having been exposed to so much of this kind of stuff before. Certainly to get performances like this from a cast this young is no small achievement. There are some pacing problems, and the autism of one of the main characters feels, unfortunately, exploitative at worst and misguided at best. But it’s strong on tone and vibe and features some genuinely creepy moments.
WE OWN THIS CITY (HBO / Foxtel)
David Simon and George Pelecanos, who created The Wire, return with a spiritual sequel, the real-life tale of police corruption, brutality and criminality in Baltimore in the 2000s. Featuring some returning cast members from The Wire (in different roles), and many more of those astonishingly authentic performances that made that show feel almost like a documentary, We Own This City is typically gritty, robust and never less than totally engaging. Exceptional.