**1/2 (out of five)
Unfortunately writer / director Jeff Nichols (Midnight Special, Mud, Take Shelter) seems so determined to avoid over-dramatising his wonderful source material – the story of Mildred and Richard Loving, whose inter-racial relationship had a profound effect on the United States legal system – that he under-dramatises it to the point of dilution, and, unfortunately, exasperation. His telling is slow and laboured, and, at some points, seemingly deliberately, provocatively obtuse; at one key moment, not only does he not point his camera at the action, he puts it in another State.
Ruth Negga and Joel Edgerton are fine in the roles (Negga was nominated for the Oscar) but the camera dwells on their quiet moments excessively, especially on Edgerton, who sullenly occupies an enormous amount of inactive screen time. There’s only so much one can take staring at a man smoking and staring.
Nick Kroll (in a really surprising dramatic role) and John Bass do their best to liven things up as the two young lawyers taking the Lovings’ case all the way, but, once again, Nichols is miserly with their screentime. Perhaps he was afraid of portraying them in any way as “great white hopes” to the Lovings’ cause, but when their big moments are shown fleetingly and from behind, it all becomes too much. This dramatic true story could have used more than a little more drama.