Natalie Wood: What Remains Behind

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Not everyone gets to make a home movie for HBO, and even Natalie Wood’s daughter Natasha may have faced a “Thanks, but no thanks” suggesting a personal hagiography of her (deserving, there is no doubt) mother. But when you can bring your stepdaddy Robert Wagner to the table, promising an intimate interview including going over the events of ‘that night’ – that Natalie drowned – in excruciating, minute-by-minute detail, well, you’ve got yourself a green light.

The result, Natalie Wood: What Remains Behind, is filmmaking at its most personal, and its most agenda-driven. In a nutshell, Natasha Gregson Wagner’s intention with the film is to exonerate her “Daddy Wagner” – as she calls him throughout the film – from the lingering whispers, mainly propagated by Natalie’s sister Lana, that he was directly, even murderously, responsible for her death. She makes a strong case, basically because Wagner, now 90, comes off as such a teddy bear, and one who clearly legitimately loved his deceased wife.

I rather loved this film, even as I saw through it. You could remove all the stuff with Daddy Wagner and have a lovely hour-long ode to Natalie’s life as mother and actress. But then, without daddy, I doubt there would have been a movie at all.

Now screening on Foxtel in Australia.