THE EYES OF TAMMY FAYE
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Michael Showalter’s dramatic adaptation of Fenton Bailey and Randy Barbato’s 2000 documentary about Tammy Faye Bakker and her entrepreneurial evangelistic husband Jim Bakker is fuelled by fantastic performances. Jessica Chastain declares her intentions (to be awesome!) in a single, long close-up that opens the film, and she doesn’t disappoint, giving one of the great turns of 2021. But Andrew Garfield’s portrayal of the deeply complicated Jim sneaks up on you; as Jim ages, Garfield’s interpretation grows more intriguing, sly and effective. This is a film that becomes more compelling as it goes, saving its best ammunition for acts two and three, and if you had pre-conceived notions of Tammy Faye – as I did – it’s an eye-opener.
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Pablo Larraín’s ‘fable inspired by a true tragedy’, fantastically and poetically imagining a version of three days over Christmas spent by Princess Diana at Sandringham, sits thematically comfortably (or uncomfortably) alongside his Jackie from 2016. Both films intimately examine the most famous women in the world at the peak moments of their fame, and how that intense glare affects them. In Diana’s case, played exquisitely by Kristen Stewart, we are on the edge of existential despair and mental illness.
The film is stunning to look at and, with Jonny Greenwood’s score, dreamy, evocative and haunting. Indeed, at times it feels like a horror movie, a Polanski-like mental descent. Don’t come for any kind of history lesson; come for the vibe.