Everybody Wants Some!!



Everybody Wants Some!!, Richard Linklater’s bizarre follow-up to his multiple Oscar-nominated masterpiece Boyhood, seems almost deliberately obtuse, anachronistic and technically deficient. It is also, by the end, rather charming, which is its saving grace. For awhile – at least the first half hour – it feels like a total disaster.

It’s being promoted as “the spiritual sequel to Dazed and Confused”, Linklater’s much loved 1993 film which introduced us to an astonishing range of young actors, including Matthew McConaughey, Ben Affleck, Parker Posey, Adam Goldberg and Jason London. I can’t help feeling that, while being associated with a Linklater project will get their feet in doors, the cast of the new film won’t be as immediately embraced, because their performances, collectively, are very weird. They’re all on the same page, but it’s a strange, over-the-top, cartoonish page that makes them less loveable than the stoned high school denizens of the earlier film.

Essentially, they’re playing archetypes bordering on stereotypes. Collectively, they’re a group of college kids – in the days leading up to the a start of the academic year – who live together because they’re on the school’s fabled baseball team. Individually, they’re the clown, the stoner, the southern dummy, the dandy, the know-it-all and so on, and all seem to have been directed by Linklater to play up the characteristics of their type as much as possible, to the detriment of actual characterisation.

The film is set in 1980, the lads all want to “get some” – sex – and the film’s politics are no more advanced than those of Porky’s (1981) which is, incidentally, a better movie, and has the benefit of looking more comfortable in its own period clothes.

I assume Linklater has made something autobiographical here, and maybe, in his memory, these guys have become huge, almost grotesque personalities which he’s cast and directed his actors to match. It makes for a very disconnected viewing experience. Thankfully, his lead actor, Blake Jenner, is allowed to let a touch of naturalism seep in, and when, in the film’s third act, he’s allowed to develop a romance with a freshman played by Zoe Deutch (who feels here like a new Anna Kendrick), we’re finally allowed in. For many it may be way too little, way too late.


What a great year for going to the movies. Here are the MOVIELAND / FILMMAFIA AWARDS 2014. Below, you’ll find our Top Ten for the year. Also, listen to the ceremony on the Movieland Podcast here:


Best Film:

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Best Direction:

Ruben Östlund for Force Majeure

Best Feature Documentary:

20,000 Days On Earth by Jane Pollard and Iain Forsyth

Best Australian Film:

(only given when Best Film is not Australian)


Director Matthew Saville

Best Lead Performance by a Man:

Tom Hardy, Locketumblr_mxdnqzUyej1qe5f96o1_1280

Director Steven Knight

Best Lead Performance by a Woman:

Luminita Gheorghiu, Child’s PoseLuminita-Gheorghiu

Director Calin Peter Netzer

Best Supporting Performance by a Man:

JK Simmons, Whiplash

Director Damien Chazelle

Best Supporting Performance by a Woman:

Patricia Arquette, Boyhood

Director Richard Linklater

Best Original Screenplay:

Nightcrawler by Dan GilroyUnknown

Director Dan Gilroy

Best Adapted Screenplay:

A Most Wanted Man by Andrew Bovell

Director Anton Corbijn

Best Edit:

Tom Cross for Whiplash

Director Damien Chazelle

Best Cinematography:

Fredrik Wenzel for Force Majeure

Director Ruben Östlund

Best Production Design:

Adam Stockhausen for The Grand Budapest Hotel

Director Wes Anderson

Best Original Score:

Daniel Landin for Under The Skin

Director Jonathan Glazer

Worst Film:


Director Ben Falcone

Top Ten

10) Whiplash – Damien Chazelle, with excellent performances from JK Simmons and Miles Teller.

9) We Are The Best! – Lukas Moodysson

8) Boyhood – Richard Linklater, with an intriguing performance by Ellar Coltrane, who ages from 5 to 17 in the film, and excellent support from Patricia Arquette and Ethan Hawke.

7) Two Days, One Night – the Dardenne Brothers, with a superb lead performance by Marion Cotillard.

6) Under The Skin – Jonathan Glazer

5) The Grand Budapest Hotel – Wes Anderson, with Ralph Fiennes at his comedic zenith.

4) A Most Wanted Man – Anton Corbijn, with Phillip Seymour Hoffman in one of the roles he left behind.

3) Locke – Steven Knight, with Tom Hardy in an astonishing performance.

2) Nightcrawler – Dan Gilroy, with an excellent Jake Gyllenhaal.

1) Force Majeure – Ruben Östlund. Film of the Year.