I was recently wondering how Michael Apted was doing. Specifically, I wondered if he was still capable of continuing the 7 Up documentary film series, or whether that had been quietly put to rest. For that matter, had Apted been put to rest, and had I simply missed his passing amidst the 21st Century Noise?
Turns out, Apted is alive and well – he’s 78 – and we have the latest instalment of his revolutionary series: 63 Up. On SBS in Australia it’s divided into three parts, and the first part caught up with four of the original series’ fourteen participants.
I thought I’d feel disconnected to these people. Out of the loop. I was wrong. Seeing them again brings back an immediate rush of memory, and perhaps nostalgia. It’s astonishing that this series started in 1964, and here they are, at 63, and we really are seeing how things panned out.
Apted’s thesis “Give me the child at 7 and I’ll show you the man!” has certainly panned out, at least looking at these four. They are all unmistakably close versions of their 7 year old selves, physically and temperamentally. My own theory – “people don’t change” – is kind of based on Apted’s, and whether or not it’s a good thing, I feel it’s now been proven.
Of course, Apted knows how to tell these stories, and in what order to tell them – Tony comes first! – so I’m sure there are some – potentially sad – twists and turns to come. But so far – one revelation notwithstanding – the news is good. All four of episode one’s subjects have partners and kids and seem okay financially. Indeed, Apted’s biggest theme – Class – provides the biggest happy revelation: even those from the “working class” seem to have at least made it to the middle.
More to come, and I can’t wait. A milestone show.
The Bureau, or The Bureau of Legends as directly translated from the French original, is a sprawling, engrossing, thrilling espionage drama and one of the best shows I have ever seen. I put it only behind Engrenages (Spiral) as my favourite French show. So far there have been three seasons, and all are currently available on SBS On Demand. A fourth season began airing in France on October 22nd, 2018.
It focuses on the workings of the DGSE, the General Directorate of External Security, France’s principal external security service. The first season sees long-embedded spy “Malotru” (Mathieu Kassovitz) come in from the cold – Damascus – and try to adjust to “normal” life in Paris while wrestling with a particularly personal dilemma brought on during his operative term. The second season, one of the best seasons of television I’ve ever seen, shifts the primary focus to the “B Story” lead character, Marina (Sara Giraudeau) as she goes undercover in Tehran. The third season… well, no spoilers from me, but it’s awesome.
There is a brilliantly conceived universe of fascinating characters here, warmly played by a superb ensemble. The operations, centred always in the Middle East, are compelling and believable, based, as they are, on real accounts by former spies and formidable research. There is humour, there are love affairs (and plain old French affairs), and the constant churn of truly difficult work, done in the shadows. But where the series really stands out is in its handling of suspense. This is a drama first and foremost, with the killings and action set-pieces held in admirable restraint, but when a tense sequence does kick into gear, it always works. At least once per episode, you’re likely to get sweaty palms.
N’attends pas! This is a binge delight.