* * * 1/2
Jordan Peele’s follow-up to Get Out is jam packed full of (mainly other horror) movie references, superb visuals, and ideas. It also features a very long, generally wordless second act that is not particularly scary and not particularly thrilling. Where the film packs its punches are in its truly fascinating third act and in your brain afterwards (or in spirited discussion with others). It is, perhaps, more enjoyable to think about than watch.
A family at their vacation home finds their peace threatened; as they struggle to survive and understand the nature of the threat facing them, they, and we, learn of a significant evil. To say any more would not be fair; see it for yourself, if not because it’s so surprising, but because the whole thing is a big trick – a pretty good one – and Peele, not I nor any other critic you may read on this film, is the magician.
Peele’s going for a bigger target with this picture than he did with Get Out, and after sitting with the film a little, his audacity and ambition become clear, and admirable. But the experience of watching the film is frequently frustrating; as that long second act drags on, you’ve every right to wonder not only what is going on, but if this is all there is. It’s not, there’s more, but you’ve got to sit still and be patient to get there.